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Interview with Hairstylists Takayoshi Tsukisawa and Ritsuko Hotaka

Interview with Hairstylists Takayoshi Tsukisawa and Ritsuko Hotaka

It’s 2000 and the mini-series Lovely Life is airing on tv units throughout Japan. Actor Takuya Kimura performs Shuji Okishima, a gifted, younger hairstylist who defies his father’s needs to take over the native hospital. He drives his motorbike down the luxurious, tree-lined streets in Omotesandō to get to the salon the place he works. The present grows, gaining a following. Followers watch and assume, “Oh, I wish to do what he’s doing.” Takayoshi Tsukisawa is a kind of individuals.

Tsukisawa, or Tsuki, was in a position to take his dream from fantasy to actuality—he has now gained recognition as a hairstylist, working with publications like Vogue US and T Journal, and types together with Thom Browne and Phillip Lim. The story of magnificence is the story of transformation, and for Tsuki, meaning continuously creating and shifting ahead, determining an answer to an present downside. He didn’t have anybody to chop his hair when he was youthful, so he did it himself. He by no means had a go-to salon that he beloved in New York Metropolis, so he and his spouse, hairstylist Ritsuko Hotaka, determined to open their very own. On-Session, is the salon they’ve all the time dreamed of proudly owning. It’s meant to be a collaborative and inventive house, influenced by the salons Hotaka and Tsuki labored in after they lived in Tokyo.

“Every time I might work with a mannequin or photographer, they’d ask me for hair salon suggestions,” says Tsuki. We’re sitting within the massive, open idea salon, together with Hotaka, whereas the track “Water” by Tyla performs softly via the audio system. “I’d all the time say, ‘Sorry, I don’t know,’ and ultimately, we determined it was time to create that house ourselves.”

Forward, we converse to Hotaka and Tsuki about what drew them to hair styling, their obsession with bodily magazines, the transfer to the US, and extra.

Courtesy of On-Session Salon

How did you guys meet?

Ritsuko Hotaka: “We’re the identical age, and we used to work in the identical space in Tokyo. We had a number of mutual associates, so we met via them.”

The place’d you two develop up?

Tsuki: “We each grew up within the countryside, in numerous areas. In my hometown, there was nothing—no grocery store, nothing to do. I began reducing my very own hair as a result of there wasn’t a hair salon. Then I began reducing my buddy’s hair, and that’s how I bought into this world.”

RH: “My hair is absolutely fluffy and frizzy, and after I was youthful, I may by no means discover a stylist who was good at reducing my hair. After I was 20, I went to this well-known hair salon in Tokyo and the stylist did such a fantastic job on my hair. Then I spotted that I wished to do the identical factor for different individuals and assist make them really feel good. I’d gone to school to check math and chemistry however I stop after two years and began magnificence college.”

Courtesy of On-Session Salon

Courtesy of On-Session Salon

The place did you discover artistic inspiration?

R: “From style magazines like Vogue, Elle, or iD. I’d flip via the pages and assume, ‘Wow.’ It was exhausting to search out overseas magazines on the time, after I was a youngster, so I’d go to this college competition at a close-by college the place they offered worldwide magazines. It was so thrilling. I couldn’t perceive something however I beloved the feel and the image high quality.”

T: “There was one tiny bookstore in Tokyo that offered worldwide magazines—it was the one retailer that had them. And as soon as I began working in a salon, the proprietor had again problems with iD and Vogue Italia that we’d undergo. I bear in mind wanting on the magazines and pondering, ‘Oh my god, that is so cool. How can I try this?’ And after I regarded on the hairstylist credit for the photoshoots, I spotted that they weren’t Japanese. And I assumed, ‘Oh, I’ve to maneuver out of Japan and go someplace—Paris, London, or the U.S.’ That’s how I made a decision that if I ever get the possibility, I’m going to depart.”

Courtesy of On-Session Salon

How’d you get that likelihood? The place’d you go first?

T: “I went to London first, however I bought meals poisoning on the primary day. I assumed, ‘Oh, London hates me.’ After that, I got here to New York and felt way more welcome.

“Each hairstylist is all the time in search of good assistants and I used to be a great assistant. One artist, Luigi Murenu, was in search of an assistant so I helped him out and did a great job. It was a really fast leap into the style trade. I bear in mind my first style present—it was Givenchy in Paris. It was my dream, and there have been so many fashions who I’d seen within the pages of magazines. The hair was slicked again with exaggerated fingerwaves. Most assistants couldn’t do it effectively, however fingerwaves are on the Japanese magnificence license examination—I don’t know why. However I used to be in a position to do the look on so many fashions and Luigi beloved it.”

What’s your course of once you’re engaged on a shoot or making a extra editorial fashion?

T: “I get a number of new concepts from individuals watching, on the road or on the subway. However a number of these appears are extra ‘regular.’ So I wish to get extra ‘bizarre’ concepts from journal editorials. I like going to McNally Jackson to choose up new copies. I’ve about 200 magazines in my home.”

I simply learn a chunk about how the web and algorithms have form of flattened tradition and inspiration. Do you discover that to be true? Is that why you continue to use these bodily magazines to get concepts? And is that why you look on the road, relatively than perhaps in your telephone?

T: “For positive. For instance, editors choose photographs in magazines based mostly on their particular style, one after the other. However TikTok is random. I nonetheless sustain on what’s taking place on social media and what’s trending, however I do choose to get concepts from actual individuals.”

R: “Japanese hairstylists do haircuts, perms, hair colour, and make-up. So after I labored at a hair salon in Tokyo, we spent a lot time watching individuals as a result of we needed to discover a haircut mannequin or a colour mannequin.”

T: “Now younger individuals can Instagram DM somebody and ask, ‘Hey, can I offer you a haircut?’ We needed to spend all day looking out. Even once we had a break day, we’d nonetheless all the time be on the look out.”

How lengthy did you’re employed on the salon in Tokyo?

T: “Coaching takes a very long time. It is dependent upon how strict the hair salon is. It took me 5 years.”

R: “I did 4 years.”

T: “It’s no joke. Each morning earlier than opening the salon, you’d apply. And after the salon closes, you’d apply till midnight. Each day for 5 years.”

R: “We’d come into the salon round 7AM.”

T: “So many younger assistants will stop inside two years. It’s exhausting as a result of the pay is low and the hours are lengthy. There have been some hair salons that had been abusive to their younger staff, so lots of people gave up.”

What did you do outdoors of the salon?

R: “We’d go to a museum or gallery, or to the flicks. I don’t know why however I like American tradition. I discovered it so cool. I used to be into Intercourse and the Metropolis. After I was an assistant, I used to be so drained after work, however I nonetheless made time to look at Intercourse and the Metropolis on DVD.”

T: “She was so excited when she moved to New York to have that Intercourse and the Metropolis life, however I lived deep in Bushwick. It was a totally completely different world and she or he was so disillusioned.”

What was the transfer like for you?

T: “I didn’t have a piece visa or shut associates, and I didn’t converse English very effectively. However I may lower hair, so I may earn cash by giving haircuts. It was fascinating. In Tokyo, every part was simple for me. Individuals knew about me and it was form of simple to outlive. However in New York, I needed to begin over once more and examine new issues, not simply the language however different hair abilities, too.

“After I first bought right here, I couldn’t do braids effectively. For a photograph shoot, I braided a lady’s hair and she or he didn’t just like the braids, so she known as her mother and mentioned, ‘Hey mother, this hairstylist is unhealthy, come.’ In New York, there’s a lot range, so I needed to apply much more. It was a great studying expertise.”

What led you guys to open the salon?

T: “It’s been our dream for a very long time, since we went to magnificence college 20 years in the past. As soon as the pandemic ended and we had the cash to pour into the house, we determined to go for it.”

R: “I all the time wished a salon the place every part match our temper and style. It’s a pleasant house to collaborate creatively. I additionally wished to open a salon that was much like the Japanese hair salon in Tokyo, so we provide every part.”

T: “I used to be all the time disillusioned with the hair salon enterprise in New York. For my part, there are two forms of hair salons in New York. One among them may be very fancy. There’s a chandelier, champagne, and the stylists are tremendous dressed up. And on the opposite aspect is a salon that’s too informal, a really DIY-style salon. And in Tokyo, the salons are someplace in between—good and funky. We couldn’t discover that form of hair salon right here, so we determined to create it ourselves.”


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